Hermes' Un Jardin Après la Mousson, translated as "A Garden After the Monsoon," is a fragrance that inspires strong reactions. While some find its unique blend of aquatic notes and spices captivating, others, like the reviewer whose opinion forms the basis of this article, find it less appealing. This exploration delves into the complexities of this divisive perfume, comparing it to other fragrances in the acclaimed "Jardins" collection, examining its individual notes, and analyzing the reasons behind its polarizing nature. We'll also consider broader reviews and opinions to paint a complete picture of this intriguing Hermes creation.
The initial statement, "Après la Mousson is probably my least favourite of the Jardins," sets a critical tone. This immediately contrasts with the generally positive reception of other fragrances within the Hermes Jardin collection, such as *Un Jardin sur le Toit*, *Un Jardin sur le Nil*, and others. This discrepancy compels us to investigate the specific elements of Après la Mousson that contribute to this negative assessment. The reviewer's comment about the blend of spices and aquatic notes is key. This unusual combination, while innovative, may not resonate with every palate. The unexpected note of melon, described as a "swear I get melon," highlights the fragrance's surprising complexity and potential for subjective interpretation.
Let's begin by comparing Après la Mousson to its siblings within the Hermes Jardin family. *Hermes Jardin sur le Toit*, a vibrant and green fragrance evoking a Parisian rooftop garden, is often lauded for its freshness and approachability. Its notes of apple, pear, and rose are bright and clear, offering a straightforward olfactory experience. In contrast, *Hermes sur le Nil*, inspired by the banks of the Nile River, boasts a more complex and slightly more mature profile. The papyrus, fig, and lotus notes create a more sensual and evocative atmosphere, hinting at warmth and mystery. These two fragrances, while distinct, generally receive positive reviews and are considered more easily accessible than Après la Mousson.
This brings us to the core of the issue: the unique blend of notes in Après la Mousson. While the official notes aren't always explicitly detailed by Hermes, various reviews and analyses suggest a prominent presence of aquatic accords, likely reflecting the post-monsoon atmosphere. This aquatic element, often described as clean and crisp, forms the base of the fragrance. However, it's the layering of spices onto this aquatic foundation that proves divisive. The reviewer's discomfort stems from this juxtaposition. Spices, known for their warmth and intensity, are typically associated with richer, more oriental fragrances. Their inclusion in a primarily aquatic composition creates an unexpected and potentially jarring contrast for some.
The reviewer's perception of melon is particularly interesting. Melon is not typically listed as a prominent note in Après la Mousson, suggesting a unique olfactory interaction between the various components. This could be a result of the interplay between the spices and aquatic notes, or even a personal interpretation influenced by individual olfactory receptors. The unpredictability of scent perception reinforces the idea that fragrance is highly subjective. What one person perceives as a pleasant blend, another might find off-putting.
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